ricons là gì

This is a synth I've been wanting to demo for a long time and it didn't disappoint.

The Korg Mono/Poly was released in 1981 and is the somewhat quirky sibling of the Polysix.

It's essentially a 4 oscillator monosynth with different waves, footings and volumes available on each oscillator. There's two independent LFOs, two envelopes, cross mod, oscillator sync, a 4-pole low pass filter that can self oscillate, pwm, detune, portamento, an arpeggiator, CV/trigger in and out and a couple of assignable wheels.

However...things then get very interesting in the "key assign mode" as this is where the "Mono" and "Poly" parts of the Mono/Poly are found. You can play monophonically with just one oscillator triggered or you can select 'unison' and have all four oscillators triggered simultaneously. Combined with whatever waves and footings you've selected on each oscillator this can get interesting.

In Poly mode you can have one oscillator per note with up to four-note polyphony OR select 'unison' and the oscillator count automatically changes dependent upon how many notes you're playing so that all four oscillators always sound.

The arpeggiator can behave in Mono or Poly modes too, which I utilised in my track.

With one vca usig a shared envelope, there isn't individual note articulation when playing polyphonically, so this is a paraphonic setup (tips hat to Marc D). There is a note damp switch to help (a little) with that.

I also have a Korg VCF FK-1 Synthe module in the studio at the moment which is a filter and envelope follower from the 700 series synths that Korg made into a stand-alone unit with a wah-style foot pedal in 1975. I ran my guitar takes through it which isn't captured on camera as it's happening on the floor by my feet.

Gear used:
Korg Mono/Poly (1981)
Ibanez Jem 7DBK (2002)
Korg VCF FK-1 (1975)
Fender Blues Junior II mic'd with SM57
Oberheim DXa (1984)
Sequential Circuits Drumtraks (1984)
Vocal "dahs" recorded with a C414s

Mixed by Jakob Ole at Sonic Peak Studios.
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Thought it might be of use to do a video showing how to voice your everyday vanilla chords in an 80s way. It’s actually very simple, so hopefully it’s easy to grasp.

Here’s some emulations of the Juno-6, although it now seems the most popular one (the TAL-UNO-X) is no longer free and costs around £45. But that’s still very cheap for what it is.

https://blog.wavosaur.com/6-free-vst-...

All the featured chords if you want them written down (commence debate about whether 11 chords exist):

Fmaj7sus2 (LH = F C / RH = F G C E)

Dm11 (LH = D A / RH = F G A C)

Bbadd2 (LH = Bb F / RH = C D F)

Gm7sus2/4 (LH = G D / A C F)

Cadd4 (LH = C G / RH = C E F G)

Dm11 (LH = D A / C E F G)

F/C (LH = C F A / RH = C F A)

F/A (LH = A F / RH = A C F)

Ab6 (LH = Ab Eb / RH = C Eb F)

Gm7sus4 (LH = G D / C D F)

Thanks for watching.

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Following my Daft Punk synth tutorial, a number of people sent me messages asking for a demonstration of Mr Oizo's "Flat Beat" which was done on a Korg MS-20 and an Akai S1000.

In the video we look at the principals of setting up that sound and why I concluded that he likely created it from a composite of samples, rather than in one pass.

Charles Ferraro's great explanation of the unusual bi-polar nature of EG2 on the Korg MS-20 is here: https://youtu.be/4AMV7YgpEXE

Many thanks for watching and for your ongoing support.

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As I've done quite a few mock-ups recently, I thought I'd throw up a couple of mics, grab the nearest instruments and knock together a quick groove.

Real instruments: Dulcitone, Double Bass, Piano, Viola, Violin, Alto melodica, Snare drum, Bass drum, Cymbals, Cabasa, Egg shakers, Claps, Toy piano, Spanish guitar, Glockenspiel, Triangle, Gem F30 Organ.

Virtual Instruments: Woodwinds, Brass, Timpani, Optigan, Sound Dust Percussion.

I borrowed a 117-year-old Dulcitone. They were mainly used by Victorian missionaries, so I wrote a pseudo-hymn on it.

Huge thanks to Pendle Poucher for the loan of this beautiful instrument.

You can actually purchase a deep sampled virtual version of her from Pendle: http://dulcitone1884.virb.com/dulcito...

Other sounds - double bass, drums and vocals recorded live (by me)
Spitfire Labs - Trumpet Fields
Spitfire Audio - Olafur Arnalds EVO
Spitfire Audio - Union Chapel Organ
Cinebras PRO - Trumpet

Composition and recording © Alex Ball

A real 808 dropped by my studio very briefly. Was amazing to try the real thing for the first time. The 808 has an interesting story and so, I set it to music.

Drums: Roland TR-808 (1980)
Extra percussion: Shakers / claps / casaba (not seen in the video)
Synth Bass: Roland SH-101 (1982)
Polys: Roland Juno-6 (1982) / Roland JX-3P with PG-200 controller (1983) / Rhodes Mark I Seventy Three
Bass: Fender Jazz Bass / Orange OB1-300 / DBX 266XL Compressor
Guitars: Ibanez Jem 7DBK / Squier Jagmaster / Fender Blues Junior II / Boss CE-2 Chorus / SM57
Vocals: AKG C414
Trombone: Ashley Slater (Freak Power)
Brass: Chopped up audio slices
Stabs and FX: Various from Fairlight & Emulator banks

Sequencer: Cubase
Plugins: Goodhertz Vulf Compressor / U-he Satin / PastToFuture reverbs / Waves Compressors and EQs

Song and recording © Alex Ball

I'm on Facebook: https://Facebook.com/AlexBallMusic
I'm on SoundCloud: https://soundcloud.com/alex-ball-1

A demo that a number of people have been asking me to do for about six months, so I'm hoping it does the instrument justice.

The DSi Prophet REV2 (2017) is the successor to the Prophet 08 (2007) that was itself the comeback Prophet synth after Sequential had closed their doors thirty years prior.

Its heritage is legendary with the Prophet~5, Prophet~10, Prophet T8 and Prophet VS being a few of its relatives. It's also in good company with modern siblings such as the Prophet 12, Prophet~6 and Prophet X/XL.

Whilst it can do decent "classic" analogue sounds, retro patches would underplay all the modern things the REV2 can do. The 3 envelopes / 4 LFOs and comprehensive mod matrix combined with modern connectivity and synchronization make it a very convenient workhorse and I imagine players and engineers would have dreamed of functionality like it when the original Prophets were in their heyday.

You can stack patches, but the voice count halves when you do that. As mine is the 8-voice version that leaves me with 4-voices in that respect, but I worked around it. There's a kit to upgrade to 16-voice which is on my (long) list of things to do.

I used a combination of my own patches, some tweaked factory presets, some live playing, some midi and some tempo-synced grooves from the poly and gated sequencers. I used some onboard FX but also recorded some parts dry and added FX in my DAW.

Instruments used:
Prophet REV2 (all synth sounds)
Abbey Road Modern Drums (Drums)
Some miscellaneous drum samples

Some of the pictures of the other Prophets were taken by others back when we did "The History of the Prophet Synthesizer" last year. If you haven't seen that one: https://youtu.be/Ruh0B5QKBMs

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if only everybody could see through my eyes
we wouldn’t have to worry and leave it all behind
i know it isn’t easy, but i think we need a brand new start
i’ll hold your heart

all of my friends and family keep saying you’re no good
now that i’m finally happy, wish that they understood
they may be disapproving, but that ain’t tearing us apart
i’ll hold your heart

exhausted every option, it’s time to run away
won’t even pack a suitcase, i don’t need anything
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we’ll be okay

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take my hand and don’t you let it go now
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we’ll be okay

cause if it’s us against the world we’re fight it
and win as long as we’re united
take my hand and don’t you let it go now
we’ll find our way out
when we are faced with danger
and eyes that stare at us in anger
take my hand and don’t you let it go now
we’ll find our way out

this place is antiquated, let’s be a mystery
and leave the scorn and jaded back in our history
as long as you’re beside me, i know that it’ll be okay
we’ll be okay

cause if it’s us against the world we’re fight it
and win as long as we’re united
take my hand and don’t you let it go now
we’ll find our way out
when we are faced with danger
and eyes that stare at us in anger
take my hand and don’t you let it go now
we’ll find our way out

(our way out)
(our way out)
(safe and sound)
(safe and sound)
take my hand and don’t you let it go now
we’ll find our way out


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▶▶ Lyrics : [NOPE - IN VIDEO]

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Like = Motivation
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Canal de informaciones y noticias varias. Roberto Cavada periodista, comunicador y productor de Telenoticias de Telesistema en República Dominicana