"It was never subjected to the same number of reworkings and expansions as some of his later works, yet Livre pour Quatuor, Pierre Boulez’s only string quartet, remained in a state of compositional flux for the last 60 years of his life. Boulez began the original six-movement version in 1948, when he was 23 and had just completed his Second Piano Sonata. The title, Livre, was a homage to Mallarmé and to the poet’s idea of a book in which the individual chapters could be shuffled: Boulez intended that the movements of the quartet could be reordered, or even detached and performed separately. His original manuscript has no bar lines and few tempo markings and dynamics and, at that stage, it seems, he planned to publish two versions, the original form and in a score with time signatures that would make it much easier to perform. In the event, though, only the first two movements were performed at the premiere in 1955, and the full score was eventually published three years after that as a five-movement work (the fourth was omitted, though the original numbering of the movements was retained).
....a piece that defined a crucial point in his rapid development as a composer in the years after the second world war. It was his first work to abandon traditional music forms, and the one in which the two most significant influences on his early music, Messiaen and Webern, were finally fused into a coherent style. It’s music that, as the composer himself said, veers between “intentionally austere bareness” and “the most proliferating exuberance”....
It’s sometimes rapturously beautiful, sometimes chillingly detached; in many ways it’s the most revealingly personal work that Boulez ever composed." (Andrew Clements)
This is the 1962 version, performed by the Parisii Quartet.
Pierre Boulez - Livre pour Quatuor (1948-1962) camera iphone 8 plus apk
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"It was never subjected to the same number of reworkings and expansions as some of his later works, yet Livre pour Quatuor, Pierre Boulez’s only string quartet, remained in a state of compositional flux for the last 60 years of his life. Boulez began the original six-movement version in 1948, when he was 23 and had just completed his Second Piano Sonata. The title, Livre, was a homage to Mallarmé and to the poet’s idea of a book in which the individual chapters could be shuffled: Boulez intended that the movements of the quartet could be reordered, or even detached and performed separately. His original manuscript has no bar lines and few tempo markings and dynamics and, at that stage, it seems, he planned to publish two versions, the original form and in a score with time signatures that would make it much easier to perform. In the event, though, only the first two movements were performed at the premiere in 1955, and the full score was eventually published three years after that as a five-movement work (the fourth was omitted, though the original numbering of the movements was retained).
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