ricons là gì

A complete remake of a cue from Alan Silvestri's legendary "Back to the Future" score.

Sounds used:
Strings: Spitfire Audio Chamber Strings, LASS Lite, Orchestral Tools Berlin EXP E
Woodwind: Spitfire Audio Symphonic Woodwinds
Brass: Cinebrass Pro, Cinebrass Core, Spitfire Albion
Percussion: Spitfire Audio Joby Burgess Percussion
Harp: Symphonic Sphere Harp
Piano: Yamaha U3 recorded with two condensor mics

Sequencer: Recorded in Cubase 6 but the screen capture was done on another machine using Cubase 9.
Plugins: Waves, U-he, Past to the future reverb impulses, T-racks

A note: I can't currently screen capture on my main studio machine, so I'm exporting out the audio files and loading up the project on a different machine that can capture. That's the reason I'm not showing any of the Kontakt patches or plugins, because they're not there! I'm looking to sort that for up-coming videos.

About me:
I work as a music producer and composer for film and TV in the UK. I make these YouTube videos purely for fun. You can view my professional work here: alexballmusic.com

One of my all time favourite scores (and films). I thought it would be interesting to make a video breaking down what's going on in the music, because it's very specific. Massive thanks to David Andrew Brent and Mike TC for appearing in this video.

Intro : 00:00

Part 1 - Diminished or Octatonic Scale - 00:43
Minor harmonic material - "Main Title" / "Dog Tags" / "The Legend" - 04:09
Major harmonic material - "Jungle Trek" / "Preparing Camp Attack" - 6:44
Melodic material - "Billy" - 08:48

Part 2 - Use of Textures - 10:32
Orchestral Textures - "The Chase" / "Mac Targeted" - 11:56
Extended Percussion - 12:51
The Synclavier - 13:19

Part 3 - Fanfare for Dutch's men 17:39
"Goodbye" 18:25

Outro / outtakes - 19:38

Researched, edited and presented by Alex Ball
Synclavier demonstrated by Mike TC
Dutch / Arnie / Alan Rickman performed by David Andrew Brent

Recorded in the UK, Canada and Australia! A truly international production!

References and links:
Alan Silvestri interview: https://cnmsarchive.wordpress.com/201...
100 Things I do: https://www.youtube.com/channel/UCmtc...
David Andrew Brent: http://davidandrewbrent.com/#/

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

The Predator score by Alan Silvestri is one of my favourites.

One thing that's always bugged me was that I couldn't figure out the phrasing of the main theme. It felt like it was in a weird time signature when it wasn't.

I found an entire thread of other people discussing the same thing: http://www.filmscoremonthly.com/board...

With a bit of detective work (watching live performances videos where the conductor is visible) and also dropping the original recording in my DAW, I was able to work it out. It was actually really simple. I'd just been hearing 16th when it was triplets.

Anyone else find they were hearing it this way?