ricons là gì

I love the sound of old analogue rhythm machines, but I always wanted to be able to program them like my drum machines. Without the knowledge or skill to modify them, I thought that maybe multi-sampling them would give me what I was after.

I’m over the moon with the results and I think that the Kontakt multi versions sound awesome. Hopefully you’ll have fun with them too!

Download: http://bit.ly/RhythmMachines

Bit of background: Although the earlier rhythm machines were intended to accompany lone musicians (mainly organists) and were controlled with start/stop footswitches, they do crop up in a few records.

The “Cha-Cha” preset from the TR-77 appears in Ultravox’s “Hiroshima Mon Amour” and it’s apparently the (rather processed) rhythm machine heard at the start of Squeeze’s “Take me I’m yours”. The seemingly popular “Cha-Cha” also appears at the start of Duran Duran’s “Girls on Film” albeit at a different pitch (perhaps done with tape speed).

The earlier version of the Rhythm 55B (the Rhythm 55) was also the very unit used by Joe Jackson on “Steppin’ Out”. In fact, he’s recently been bringing it out on tour with him: https://www.youtube.com/watch?v=tcEYA...

The Korg is a bit of a hanger on being released in 1982 given that 808s, LinnDrums and DMXs were out by then. The Roland CR-5000 and CR-8000 also snuck into the 80s, but they were really at the end of this kind of instrument that had its heyday in the late 60s and 70s.

Instruments used in this video:
Roland Rhythm 77 / TR-77 (1972)
Korg Rhythm 55B / KR-55B (1982)
Roland SH-1000 (1973)
Korg MS-20 (1978)
ARP Odyssey model 2813 (1975)
Roland Juno-6 (1982)

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The Roland Juno-106 is probably one of the most famous polyphonic synthesizers from the 80s but it had a couple of lesser known variations; the HS-60 and the 106S, both of which had built-in speakers, but were otherwise identical.

The 106S was apparently sold in Japan with the HS-60 sold to the rest of the world, but if you know anymore let me know!

The story of this track was that it was something I'd written last year for demoing the 106 for my "Land of the Rising Sound" documentary. On the day of recording there was so many synths and drum machines to setup and record that we ran out of time and the intended 106 and Super-JX demos had to be dropped. On the plus side, Ra @ MadFAME and synth4ever did some great demos instead, which you can enjoy in the film.

Anyway, I've now got to record the demo that never was and extend it out into a longer thing. Hope you enjoy it!

Sounds:
Roland Juno-106S (1984)
Roland SH-101 (1982)
Roland TR-707 (1984)
Oberheim DX (1982)
Yamaha DX7 (1983) Not filmed, but playing the odd FM chime if you listen out
Ibanez Jem 7DBK (2002)
Fender Blues Junior II mic'd with SM57
Boss CE-2 Chorus
Vocals recorded with an AKG C414S
Also some Fairlight drum fills that you'll probably recognise from "Owner of a Lonely Heart"

Torvill and Dean were not made by Roland.

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I’ve been leant a Roland System 500 for a video and so the first thing I wanted to try with it was a side-by-side with the System 100m (1978) and SH-5 (1976) as these are two of the heritage synths that inspired it.

The third synth it’s based on is the System 700, but I’m sure you can forgive me for not getting that one in there too!

All-in-all I think the System 500 is excellent, has the Roland family sound and stands up well against the classics that inspired it. Trying to be as impartial as possible, there are a couple of comments I had about it that could be improved which I also mention, but I genuinely think it’s a great sounding and accessible modular synth.

Let me know what you think about it.

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